2018 Directed by Kanwal Sethi
Synopsis
After a chance phone call leads to daily conversations, a widowed restaurant owner and a lonely film actor plan to finally meet in person.
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101 mins More details at
Popular reviews
More- I am not sure how I feel about this one yet. Its on netflix and I just watched it. Some initial thoughts in point form....Shefali Shah is back and really amazing in this, no doubt about it. She is wearing some really beautiful sarees in this film and I liked how the hues of her sarees change as her character slowly transforms. Also her eyes convey emotions in such a intense way that she doesn't even need to speak to understand what she is feelingSome of the most gorgeous shots of Bombay Ive seen in a very long time. Bombay seems to shimmer in the nighttime. Hard to believe this is Kanwal Sethi's first film as a director.…
- Probably walked into this with a lot of expectations, hence found it underwhelming. Shefali Shah and Neeraj Kabi were their endearing best in roles of restrained lovers. Not forbidden lovers must say - so that conflict in their relationship wasn't really etched enough to my likes.When does a ghost become human?
When he falls in love. At least in our story, he does!That said, their silences were beautiful, like interludes that enhance the symphony. Clearly obsessed with Shefali's eyes, the frames let you inhale her arresting presence so much, so much so that nothing else matters. - A reclusive movie star pursues a romance with the woman who cooks for him in Once Again.Comparisons between Once Again and 2013’s The Lunchbox are inevitable. Both films are about lonely Mumbaikars who form a romantic attachment to one another through the medium of food. While The Lunchbox chronicles the development of attraction, Once Again pushes its lead couple forward into a relationship.Full review <href='https://accessbollywood.net/2018/10/24/movie-review-once-again-2018/'>here.
- my german review:
www.shomingeki.org/2019/05/04/once-again-eine-liebe-in-mumbai/ - an unexpected beautiful film. If I am sure about something than this: In the heaven of cinema, Yasujiro Ozu will watch the film and will deeply fall in love with it. And when Setsuko Hara watches from heaven ONCE AGAIN, she will meet her Indian sister Shefali Shah.my review: shomingekiblog.blogspot.com/2019/01/notes-on-once-again-by-kanwal-sethi.html
Recent reviews
More- Shefali Shah does her magic yet again. Noticed her work in Delhi crime where she plays a strict cop and here she plays the role of a widowed mother. Haven't seen any other actor act through eyes so well. Her acting seems effortless. The 'therav' in her acting is amazing, giving time to the details. The one scene in which she enters the actors house, her excitement to be introduced could be seen, but when he introduces her as Tara who cooks food for him, her expressions transform drastically and how! I don't know if anyone could have done it any better. From playing a Stern cop to having the elegance of a cook who chops coriender and then soaking in the aroma left on her hands. She have done two roles so well. And the one scene in which a tear drop flows down her eyes while she was watching the dance performance was so subtle yet so convincing.
- Made with absolute care and love about love.
- Shefali <3
- An intense romantic drama whose main actors and melodramatic storyline don't get enough room to breathe and settle down. There are beautiful moments in this which get cut off to hastily and for that reason sadly fail to create an emotional atmosphere.
Bombay is absolute magical place though! - Probably walked into this with a lot of expectations, hence found it underwhelming. Shefali Shah and Neeraj Kabi were their endearing best in roles of restrained lovers. Not forbidden lovers must say - so that conflict in their relationship wasn't really etched enough to my likes.When does a ghost become human?
When he falls in love. At least in our story, he does!That said, their silences were beautiful, like interludes that enhance the symphony. Clearly obsessed with Shefali's eyes, the frames let you inhale her arresting presence so much, so much so that nothing else matters. - Αργοσυρτο ρομαντζο που πατά λιγακι στα χνάρια του Κιαροστάμι, εχοντας ταυτόχρονα και μια πιο ευρωπαική χροιά και προσεγγιση. Η αφηγηση εστιάζει κυρίως στην κεντριή πρωταγωνιστρια, αφηνοντας σε στο σκοταδι για ενα πολυ μεγαλο μέρος της διάρκειας του φιλμ σχετικά με τις προθεσεις τις επιθυμιες η της αποφάσεις της. Ενω η Ινδια κινηματογραφείται διαφορετικά, με μικρότερη εμφαση στη λαογραφια και την κουλτουρα της (κατι που τελικά αποδεικνυεται ευπρόσδεκτο) στην ουσια του το φιλμ αποκαλυπτεται θολο και σε μεγάλα τμηματά του μη ενδιαφέρον, αφου οι χαρακτηρες του μοιάζουν τελικά ερμαια μιας καταστασης μην κανοντας κατι ιδιαιτερο για να την αλλάξουν, παρότι φαινεται να εχουν τη δυνατοτητα. Παρολα αυτα προκειται για ενα φιλμ που ξεφευγει απο τα στερεοτυπα ενος παραδοσιακου ινδικου σινεμα, κοιτωντας σχεδον στα ματια μια ευρωπαική παραδοση art house φιλμ και δινοντας τη δυνατότητα να εξερευνησει καποιος μια διαφορετική δημιουργική διάθεση, με νεα χαρακτηριστικά και συνθηκες. Το αποτελεσμα εχει προβληματα, αλλά επ ουδενι δεν ειναι πληρως απορριπτεο.
- my german review:
www.shomingeki.org/2019/05/04/once-again-eine-liebe-in-mumbai/ - Barring a few cliches here & there & a slight plot resemblance to #TheLunchbox , #OnceAgain on #NetflixIndia is a beautiful effort to legitimise the Indian middle aged widow as a worthy recipient of romance in Hindi cinema.
#ShefaliShah shines as usual.
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